medium bronze olive wreath symbol of achievement

The olive was the trademark of Athena, multi-faceted goddess of wisdom, intelligence, strategic thought, and female crafts.

Athena defeated her uncle Poseidon in a contest which had been set up to establish which of them would become the protector deity of a hitherto unnamed city in Attica. Poseidon had offered the city a roaring saltwater spring, whereas Athena knelt on the Akropolis and planted a single olive tree, offering the citizens the gifts of oil, food, and light. Thereafter the city was named Athens. You can see an olive tree there today, next to the Erechtheion, the temple dedicated to the thwarted uncle and his shrewd niece.

The olive tree became a symbol of resilience. Herodotus wrote that it was assumed that when the Persians had sacked Athens and set fire to the Akropolis in 480 BCE, the sacred olive had been destroyed. Yet, the very next morning, a green shoot almost a meter long, had miraculously appeared! It became a powerful symbol of rebirth, renewal, and transformation, a reflection of the indomitable spirit of Athens and her citizens. Cuttings (moriai) from this tree, were then planted across Attica, so that every ancient Athenian olive-grove shared the DNA of the goddess’s original gift!

The olive appears on the famous Athenian owl tetradrachm coin, and is a recurrent motif in ancient Greek art, whenever Athena is depicted. Nike, the goddess of Victory, and a deity closely associated with Athena, is often depicted with an olive wreath, which she would place on the head of a victorious athlete.

The ultimate prize for champions at the ancient Olympic Games, held in honour of Zeus, was not gold, but a simple wreath woven from the wild olive (kotinos) —a tree said to have been ripped from the earth and planted at Olympia by Zeus' son, Herakles himself. The hero even fashioned his signature weapon, a mighty, unbreakable club, from raw wild olive wood.

The bronze pieces are cast in Greece using the traditional lost wax method. As nothing is mass-produced, there will inevitably be slight variations in texture, patina, and colour. No two pieces are ever the same. If mounted on a marble base, it will be a black or very dark grey base. There may be a variation of some millimetres in the dimensions of the base from time to time.

It's All Greek is so grateful and so proud to have been working closely with the Semitekolo family foundry since 1999. It has been a privilege and a joy to handle, live with, and photograph these gorgeous pieces and to pass them on to customers all over the world.